Fluff and Toenails: Mainstream Media, Indie Opinion

Above all of the fluff and the toenails floats a melody, some rhythms, flickering pictures, a sensation to be had. Capture it in your computer, buy it on your high street or cram it in your senses from hijacked radio waves. Our subject is everywhere so let us pick at it like a favourite scab.

Monday will find me blogging on TV, Thursday on Film and the Weekends on Music.

Monday 1 November 2010

Joe McElderry: Ambitions 4/10


Oh dear a whole day late, but if you had set yourself the task of reviewing what I had committed myself to reviewing this week you would have changed your bed sheets, rearranged your wallet, washed the neighbour’s dog, driven your granny to the whist drive and cooked a fiendishly difficult dinner before getting round to pummelling this keyboard.

Seeing as you can’t turn a page at the moment without seeing the X-factor why should I be the one to buck this trend. This week I have been listening to the tones of Joe McElderry (very quietly in headphones, God help me if anyone overheard). For those of you who don’t know Joe was the winner of the X-factor 2009. After winning the competition he released a cover of ‘The Climb’ a song made famous by Smiley Virus with more plush production than misery in a job centre.

The album starts off with single ‘Ambitions.’ To say that a reality TV star’s album opening with its single is usually a bad sign is somewhat of an overstatement, but here we are. The single however deserves to be remarked upon as it sees Joe move away from the ballads that he made his brand during his weekly TV appearances. Ambitions, like the majority of this album is disco with a big pink D, I, S, C and yes even the O. I can’t imagine that the folks at Cowell Towers were too delighted when Joe was announced as their winner. Grannies loved him, kids loved him and Newcastle loved him but these aren’t exactly the most committed of record buyers (unless he had slipped a version of the Blaydon Races onto his debut.)

After the opening track the album moves through over produced rockier moments, sing a long choruses, cringe worthy ballads (Superman being the main protagonist in this assault on decency) and officially ends on the Disney saturated The Climb. Now this is where the album gets really interesting. Let the CD run for 5 minutes and in thumps the crushing guitars of a cover of Rage Against the Machine’s Killing in the Name of showing that Joe has put all the unpleasantness of last Christmas behind him. You don’t believe me do you? It’s really there I promise.

Joe comes across as being the classic nice guy so it is a shame for him that come next year he will be more than likely be forgotten about replaced by someone less likeable but with more interesting songs.

Listen if you like: George Michael , Scissor Sisters and South Shields.
Stand Out Tracks: Ambitions, Until the Stars Run Out, Fahrenheit

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