Saturday 30 April 2011
The Royal Wedding
Why The Wombats are a Fine Blue Cheese to Jeff Buckley’s Baby Bell
The Wombats 9/10 & 2/10
I would like you to consider cheese...
Are you thinking of cheese?
Good. Then we may continue.
If you are picturing a nice expensive mature blue cheese then good on you. If you’re not then why not! I asked you to consider cheese and you have done what exactly? Thought of Tesco Cheddar? A cheese string? A fucking baby bell? To be honest if this is you then you probably have self-esteem issues and you should spend the time that you would have spent reading this review finding out how to get that sorted.
Anyway the Wombats new album ‘This Modern Glitch’ is a little like that cheese. Everyone knows that a good cheese matures with age, (Bad cheese just goes off and an undisturbed baby bell will outlive us all making us look like a right bunch of tasteless twats when the alien archaeologists start poking around our long dead planet) once purchased and sitting in your fridge the cheese starts a further micro maturing process. Stage One: Stinky Blue Cheese, Stage Two: A Manly Cheese and Stage Three 3: Stinking mush. The time lapse between stage two and three can be as little as a couple of hours and it is this great cheese divide that the Wombats album straddles.
I wanted to write this review now so that I would still have nice things to say about the poptastic choruses, witty lyrics, narrative approach to song writing and ever present vocal harmonies aware as I was that after more than a few hours of play (about 6 listens) the album trans mutates into a big pile of over played chart stink.
So enjoy it while you can the antithesis being listen number three when you are weirdly convinced that the album is one of the best pop albums of the decade whilst being simultaneously aware that the next listen will smash this illusion.
I would like you to consider cheese...
Are you thinking of cheese?
Good. Then we may continue.
If you are picturing a nice expensive mature blue cheese then good on you. If you’re not then why not! I asked you to consider cheese and you have done what exactly? Thought of Tesco Cheddar? A cheese string? A fucking baby bell? To be honest if this is you then you probably have self-esteem issues and you should spend the time that you would have spent reading this review finding out how to get that sorted.
Anyway the Wombats new album ‘This Modern Glitch’ is a little like that cheese. Everyone knows that a good cheese matures with age, (Bad cheese just goes off and an undisturbed baby bell will outlive us all making us look like a right bunch of tasteless twats when the alien archaeologists start poking around our long dead planet) once purchased and sitting in your fridge the cheese starts a further micro maturing process. Stage One: Stinky Blue Cheese, Stage Two: A Manly Cheese and Stage Three 3: Stinking mush. The time lapse between stage two and three can be as little as a couple of hours and it is this great cheese divide that the Wombats album straddles.
I wanted to write this review now so that I would still have nice things to say about the poptastic choruses, witty lyrics, narrative approach to song writing and ever present vocal harmonies aware as I was that after more than a few hours of play (about 6 listens) the album trans mutates into a big pile of over played chart stink.
So enjoy it while you can the antithesis being listen number three when you are weirdly convinced that the album is one of the best pop albums of the decade whilst being simultaneously aware that the next listen will smash this illusion.
Friday 29 April 2011
“I find your interpretation of Nietzsche only slightly less offensive than your choice of film this evening my dear Herr Hitler”
After well over a month with no cinema going, check listing s for the reasons why. I have now attended the flicker box picture show twice in the last seven days. The two films that I subjected my brain to really couldn’t have been more different for the reasons outlined below.
In forming an uneasy alliance between a cat and a dog, a bin man and a seagull and a Lib Dem and a Conservative this is the compromise to which my less cinematically fussy better half and my-self have come. We have given up trying to find films of common ground and instead, upon each proposed cinema trip we swap the role of ‘Film Fuhrer’ and dictate to the other which film is to be seen. That isn't to say we don't campaign for the others approval (Source Code: yeah it sounds like it is going to be like ground-hog day...yeah nothing like Inception...yeah I suppose it must be a comedy & Beastly: Well yes it does have that girl from high school musical in but it is in fact a postmodern retelling of a popular folk tale which tells a story of anti-consumerism triumphing over the materialistic.) Though ultimately the opinion of the dictated over really is an irrelevance even Hitler must have liked to think that his decisions were popular.
Any way onto the films:
Source Code 7/10
I’m not really going to go into the plot on this one as it would put most people off and that would be unfair because those people would be missing out because of their prejudices. Other more positive presuppositions are probably what have kept this film high in the UK box office top ten with what appears to be extremely limited marketing. These presuppositions being namely Jake Gyllenhaal and Duncan Jones. The last time I discussed Jake Gyllenhaal he was flogging Viagra and jiggling his arse on top of Jayne Austin. This time he keeps his clothes on for the entirety and doesn’t even have an arse to flash, being, as it turns out nothing more than half a torso and a bit of a brain. Duncan Jones directed one of my favorite Sci-Fi films, Moon, which was a massively ambitious low budget affair that won something or other when I saw it at the Edinburgh Film Festival a few years back. While he has only acted as director on this project (as opposed to Writer/Director in Moon) many folk such as myself weren’t going to miss out on a chance to see what he can do with a proper budget and I am pleased to say that I wasn’t disappointed.
This film has had to wrestle with constant comparisons to Inception due to them both brushing with existentialism. In my opinion the films are very different and the way that they are being compared says more about the poor (but improving) state of Hollywood Sci-Fi where these ideas and concept led movies stand out so vividly from the action driven turd flinging contest of the Transformer and Resident Evil Franchises. (The Image came with the caption Inception with cats)
Detracting from my enjoyment of the film was the ending which I felt was just a little bit spelt out and a little bit fairy tale and could have been left somewhere in the darkness of ambiguity (alla Inception). However, I could be very wrong in this as on the way home I discovered that me and the long suffering lady left with differing interpretations of the films conclusion which resulted in us driving home with me shouting about Schrödinger’s cat and her reminding me that I never actually finished that particular book.
Beastly 4/10
I would love to say that Beastly is one of those rare films that is its own review. However the world beastly makes the film sound a little too edgy.
For those of you who don’t know Beastly is a high school adaptation of the story of beauty and the beast. The fact that the film is based on a folk tale means that the criticism that the film was predictable falls flat. However to me the whole project seemed to be massively lazy by all involved.
One of the more unfeasible aspects of the film was the role played by one of the Oulson Twins. Her being a witch seeming perfectly plausible compared to her being in high school. I really wish that American high school dramas would start using high school aged actors. It really is very distracting and confusing trying to work out who it is ok to find sexually attractive. (I only come to objectify in such a chauvinistic way because the stories in these films are so predictable that they need little or no attention paying to them).
To this films credit it was a little more dark and a little more moody than I expected and the comic role performed by How I Met Your Mother’s Neil Patrick Harris went down well in the screening I attended but then again this was a crowd that whooped at kissing and squealed with teenage zeal at anything that fit into the Hollywood construct of teen romance. If you are a twelve year old girl who hasn’t seen very many films yet you may enjoy the film but then I would urge you to move onto more challenging fayre rather than re-watching the same drip fed high school drivel for the rest of your years.
Overall the film is ultimately harmless, portrays a positive message but has little artistic merit or ambition.
In forming an uneasy alliance between a cat and a dog, a bin man and a seagull and a Lib Dem and a Conservative this is the compromise to which my less cinematically fussy better half and my-self have come. We have given up trying to find films of common ground and instead, upon each proposed cinema trip we swap the role of ‘Film Fuhrer’ and dictate to the other which film is to be seen. That isn't to say we don't campaign for the others approval (Source Code: yeah it sounds like it is going to be like ground-hog day...yeah nothing like Inception...yeah I suppose it must be a comedy & Beastly: Well yes it does have that girl from high school musical in but it is in fact a postmodern retelling of a popular folk tale which tells a story of anti-consumerism triumphing over the materialistic.) Though ultimately the opinion of the dictated over really is an irrelevance even Hitler must have liked to think that his decisions were popular.
Any way onto the films:
Source Code 7/10
I’m not really going to go into the plot on this one as it would put most people off and that would be unfair because those people would be missing out because of their prejudices. Other more positive presuppositions are probably what have kept this film high in the UK box office top ten with what appears to be extremely limited marketing. These presuppositions being namely Jake Gyllenhaal and Duncan Jones. The last time I discussed Jake Gyllenhaal he was flogging Viagra and jiggling his arse on top of Jayne Austin. This time he keeps his clothes on for the entirety and doesn’t even have an arse to flash, being, as it turns out nothing more than half a torso and a bit of a brain. Duncan Jones directed one of my favorite Sci-Fi films, Moon, which was a massively ambitious low budget affair that won something or other when I saw it at the Edinburgh Film Festival a few years back. While he has only acted as director on this project (as opposed to Writer/Director in Moon) many folk such as myself weren’t going to miss out on a chance to see what he can do with a proper budget and I am pleased to say that I wasn’t disappointed.
This film has had to wrestle with constant comparisons to Inception due to them both brushing with existentialism. In my opinion the films are very different and the way that they are being compared says more about the poor (but improving) state of Hollywood Sci-Fi where these ideas and concept led movies stand out so vividly from the action driven turd flinging contest of the Transformer and Resident Evil Franchises. (The Image came with the caption Inception with cats)
Detracting from my enjoyment of the film was the ending which I felt was just a little bit spelt out and a little bit fairy tale and could have been left somewhere in the darkness of ambiguity (alla Inception). However, I could be very wrong in this as on the way home I discovered that me and the long suffering lady left with differing interpretations of the films conclusion which resulted in us driving home with me shouting about Schrödinger’s cat and her reminding me that I never actually finished that particular book.
Beastly 4/10
I would love to say that Beastly is one of those rare films that is its own review. However the world beastly makes the film sound a little too edgy.
For those of you who don’t know Beastly is a high school adaptation of the story of beauty and the beast. The fact that the film is based on a folk tale means that the criticism that the film was predictable falls flat. However to me the whole project seemed to be massively lazy by all involved.
One of the more unfeasible aspects of the film was the role played by one of the Oulson Twins. Her being a witch seeming perfectly plausible compared to her being in high school. I really wish that American high school dramas would start using high school aged actors. It really is very distracting and confusing trying to work out who it is ok to find sexually attractive. (I only come to objectify in such a chauvinistic way because the stories in these films are so predictable that they need little or no attention paying to them).
To this films credit it was a little more dark and a little more moody than I expected and the comic role performed by How I Met Your Mother’s Neil Patrick Harris went down well in the screening I attended but then again this was a crowd that whooped at kissing and squealed with teenage zeal at anything that fit into the Hollywood construct of teen romance. If you are a twelve year old girl who hasn’t seen very many films yet you may enjoy the film but then I would urge you to move onto more challenging fayre rather than re-watching the same drip fed high school drivel for the rest of your years.
Overall the film is ultimately harmless, portrays a positive message but has little artistic merit or ambition.
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