Somos Lo Que Hay - We Are What We Are 5/10
Upon entering the tiny screen eight at Newcastle’s Empire Cinema my heart sunk a little. I had persuaded the long suffering girlfriend to attend the performance, I had visited the local late opening pound shop and had secured the services of a pack of white Malteasers for mid film nourishment. Drifting in on cloud nine I was then struck by that noise that only teenagers can make. The entire back row of a screen of only five rows was occupied by chewing, loud-mouthed, overconfident and, I don’t say this lightly, (evidence to follow) shit for brained persons’ of assorted sex aged at around fourteen.
It was two minutes into the film when the first distinctly non-Chinese character spoke.
Girl One: “Urgh! Is it all in subtitles?”
Boy One: “You are fuckin’ kiddin’ mi like.”
A mildly humorous joke, perhaps? Then it went on.
Girl Three: “It’s ok, Chinese make better horror films than us so it should be ok.”
(Pause)
Boy One: “I’m not reading fucking subtitles for a whole film.”
Girl One: “I don’t understand French.”
(Group exits)
It was at about this point that I was able to concentrate on the film so it shall be from here that the review shall begin. For those of you who didn’t guess by the title the film is in the Spanish language. Not so obvious from the title is that it is the story of a family coping with the loss of their father, oh yeah and they just happen to be ritualistic cannibals imminently requiring their next feed.
Character wise I amused myself by likening them (with some success) to the Simpsons. The Dad character is Homer, useless and someone who the whole family would be seemingly better off without, that is until he is gone and it becomes clear that he is in fact the glue of the family. The mother is Marge, a tormented pragmatist desperate to keep her family together while pushing them away by being so controlling and not wanting to let anyone spread their wings. Maggie and Bart are the two brothers Bart the overly aggressive and unpredictable of the pair and Maggie the Machiavellian quiet type. Then there is the daughter, Lisa, the strangely attractive, (a friend of mine once described her as his ideal woman) know it all of the bunch and the person who really should be leading the family in most situations.
The pacing of the film is painfully slow, the lighting is so low that it is often difficult to know what is going on and the story makes no attempt to explain backstory or even events pertinent to the narrative, such as what the ritual actually is and what they believe it does. One redeeming feature was the sound track which sounded like it was being played by an orchestra of the dead locked in a basement.
It could be the case that I am stupid or, as I suspect, it could be the case that it is a foreign film with a pretty wide release, BBC and UK Lottery funding which means that reviewers are seeing more in it than is there. I’m open to interpretations of this film by others who have seen it send them in, I’m all ears.
It summery I will leave you with the comments of the guy sat along the row from me
“*snore, snore,”
Wife covers him with a coat
“snore, snore.”
If you want some Spanish Horror try this instead
Fluff and Toenails: Mainstream Media, Indie Opinion
Above all of the fluff and the toenails floats a melody, some rhythms, flickering pictures, a sensation to be had. Capture it in your computer, buy it on your high street or cram it in your senses from hijacked radio waves. Our subject is everywhere so let us pick at it like a favourite scab.
Monday will find me blogging on TV, Thursday on Film and the Weekends on Music.
Showing posts with label Horror. Show all posts
Showing posts with label Horror. Show all posts
Wednesday, 17 November 2010
Monday, 8 November 2010
Halloween Movie Reviews in Haiku
Here is my belated film post from last week. The long and the short of it is that there was nowt on at the cinema and I had somewhat overindulged in the spirit of Halloween, staying up far too late eating too many Wham! bars and watching far too many horror films in the days before and after the day of the pumpkin. The result of which was that I really didn’t know where to start so I present to you my ‘Halloween Movie Reviews in Haiku.’
The Human Centipede (2010)
What hasn’t been said?
An ugly concept it’s true!
Woman eats man’s poo.
Let the Right One In (2009)
Swedish child vampire
Makes just the one friend and kills
All others with lines.
Don’t Scream (2009)
The makers of Saw
Strike again bereft of class,
Humour or a script
The Haunting (1963)
Classic Horror chills.
Fear is best served cold, alone
and timeless in style
Alien (1979)
Quite a wait until
That scene that we have seen
Giger terrifies
Coraline (2008)
Don’t show this to kids!
Don’t show it to me again!
Nightmares await you.
I am quite far behind with this at the moment so… Tomorrow should be a double post with a review of my selection of the week’s TV and Swedish House Mafia’s album.
The Human Centipede (2010)
What hasn’t been said?
An ugly concept it’s true!
Woman eats man’s poo.
Let the Right One In (2009)
Swedish child vampire
Makes just the one friend and kills
All others with lines.
Don’t Scream (2009)
The makers of Saw
Strike again bereft of class,
Humour or a script
The Haunting (1963)
Classic Horror chills.
Fear is best served cold, alone
and timeless in style
Alien (1979)
Quite a wait until
That scene that we have seen
Giger terrifies
Coraline (2008)
Don’t show this to kids!
Don’t show it to me again!
Nightmares await you.
I am quite far behind with this at the moment so… Tomorrow should be a double post with a review of my selection of the week’s TV and Swedish House Mafia’s album.
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